Julie Roset, First Prize winner at Operalia 2023, is one of the finest coloratura sopranos of her generation. Julie Roset began her vocal studies at an early age joining the Conservatoire du Grand Avignon going on to graduate with honors from the Haute Ecole de Musique de Genève in 2019 and she was awarded her artist diploma in Opera Studies from the Juilliard School in 2022. Her singing activity was wonderful since her beginnings due to her hard-working and dedicated spirit. She has a beautiful presence on the stage both vocally and artisticaly. Stephano Park, First Prize winner at Operalia 2023, is a young bass from South Korea. He is a member of the Wiener Staatsoper Opernstudio for the 2022/2023 and 2023/2024 seasons. Stephano studied at the most prestigious university in South Korea, Seoul National University, where he received his bachelor’s degree in classical vocal study. Now, he is studying for a Master’s at Universität für Musik und Darstellende Kunst Wien. The First Prize winners of Operalia 2023, Julie Roset and Stephano Park, in a lovely and inpsiring interview by Alice Lechner, told us about their thrilling experience in the Operalia Competition, how their life changed after winning Operalia, they told us about their future plans, about their voice’s repertoire and many more interesting and full of inspiration opinions and stories about the opera universe and about an artist’s life.

Tenor Giorgio Misseri is best known for his beautiful bel cantistic/liric romantic voice. From the beginning of his career he was known as an excellent interpreter of the bel canto repertoire and as a rossini musician. He studied at the Rossini Academy of Pesaro and made his debut at the Rossini Opera Festival. Since 2011 his career has led him to sing in the most important Italian theaters and some foreign theaters in dozens of roles.
Interviewed by Alex Suciu for the OPERA Charm Magazine, Giorgio Misseri told us about the present point of his career, about the difficulties when approaching a new kind of repertoire and about the benefit of online presence for an artist. 

OPERA Charm Magazine was thrilled to finally meet M° John Fiore at the Deutsche Oper Berlin in late September, when the American Operatic & Symphonic conductor jumped-in for Puccini’s Il Trittico & continued his stay in the city for four performances of Turandot. Fiore needs no further presentation, being a seasoned conductor well-known among the international opera houses, praised for his musicality and his skillful expression on the podium. In an interview by Bianca L. Nica, Fiore talked about the flexibility, experience & skills that allowed him to walk in the bit last minute for such a complex piece as Il Trittico, while alternating it with Turandot, about how to achieve these attributes as a conductor & many other captivating arguments.