Anita Rachvelishvili

I think people really know me because what you see on social media, is me. I’m not hiding my personality, there is nothing behind the artist. I am what I am.
Ph.: Roberto Ricci

Author:

by Bianca L. Nica
October 14, 2020

INTRODUCTION

It is a great privilege to have the mezzosoprano Anita Rachvelishili as our guest and we are excited to share with you this wonderful conversation she had with Bianca L. Nica. Anita talks about her experience at the Festival Verdi in Parma, the roles that represents her best, the hardest technical thing to achieve for her at the beginning of her career and who she trusts when it comes to repertoire and perfect sound. You can find out more about what qualities an opera singer should possess in order to have a successful career, what are the most attractive opera titles for a person who is not used to this genre and who is the person behind the opera star. Happy reading!

BIOGRAPHY

According to Mº Riccardo Muti, she is “without doubt, the best Verdian mezzo-soprano today on the planet. “Born in Tbilisi, the capital of Georgia, she studied piano at the Mukhran Machavariani School and singing at the Vano-Sarajishvili Conservatory under Manana Egadze. She received a scholarship from the president of Georgia, and in 2007 she won the Paaa Burchuladze Prize. She made his operatic debut while still a conservatory student at the Opera in Tbilisi as Maddalena in Rigoletto and as Olga in Evgheni Onegin. She became internationally known when, on December 7th, 2009, the opening night of Teatro alla Scala’s season, she performed the title role of Carmen alongside Jonas Kaufmann, in a production staged by Emma Date, under the baton of MºDaniel Barenboim. Her repertoire includes major Verdi operas but also some French titles, such as Carmen and Samson et Dalila. The 2020/21 season will bring her back at the Teatro alla Scala as Amneris from Aida, alongside Saioa Hernandez (Aida), Francesco Meli (Radames), and Amartuvshin Enkhbat (Amonasro), conducted by Riccardo Chailly. She will also be in Amsterdam with the same role, at the Wiener Staatsoper as Carmen, at the Arena di Verona, and at the Bayerische Staatsoper in Munich as Amneris.

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INTERVIEW

Congratulations, dear Anita, for the 2 performances of Verdi’s Messa da Requiem. Even if the rain stopped the performance last night, the public of the Festival Verdi had the chance to listen to you during the open dress rehearsal and during the first performance in Parco Ducale, also attending an important event, your debut in […]

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Alice Lechner

Alice Lechner comes from a music-loving family. Her first encounter with the opera universe was at the tender age of six. The grandeur of the stage productions and costumes, the backstage chatter, and last, but definitely not least, the music left her in awe, beginning with Mozart’s Don Giovanni. The overall feeling that opera awakens in anyone who gets a glimpse into this part of artistic eternity, that each and every day passes the test of time, was what drew her to stay and be a part of this world. The Opera House of Brașov became her second home, and the people who worked there were her second family.

Since then, Alice has devoted her spare time to maximising her musical knowledge through instrumental studies, studying both piano and violin for a short time. In the following years, her number one passion stepped out of the limelight and graciously gave way to Law Studies.
Since 2018 she has been studying Law at “Alexandru Ioan Cuza” University in Iași.

Her passion for opera, even if it is no longer her top professional priority in terms of career, it has most definitely become her priority during her free time. Wanting to experience the best of both worlds and extend her musical horizons, she regularly attends opera performances throughout Romania and abroad.
With OPERA Charm Magazine, Alice aims to nurture her creative side to help it flourish and bloom and to discover, alongside the magazine’s readers, the fascinatingly complex world of opera.

Currently, she is an LL.M. in Business Law at “Alexandru Ioan Cuza” University in Iași.

Oana Zamfir

Oana Zamfir is a second year MA student at the “George Enescu” National University of Arts, at the Department of Musicology.

She studied violin for 12 years at the “Stefan Luchian” High School of Art in Botosani, later focusing on the theoretical aspects of music. In 2019 she completed her bachelor studies in Musicology as a student of the National Academy of Music “Gheorghe Dima” in Cluj-Napoca. Her research during 2018-2019 brought to the forefront elements of the archaic ritual within works of composers who activated during the communist period, giving her the opportunity to start a research internship at the “Carl von Ossietzky” University in Germany. In this context, she recorded conversations with members of the Sophie Drinker Institute in Bremen, and had access to documents directly from the Myriam Marbé archive.

Since 2019 she has been a teacher of Music Education and Theoretical Music Studies, making full use of interactive methods in the musical training of students and working, at the same time, with the children’s choir founded in the first year of her activity.

Her interests include pursuing a degree in interior design in 2020.

Alexandru Suciu

Alexandru Suciu inherited his passion for art growing up in a family of several generations of musicians. He began his musical studies at the “Augustin Bena” School of Music in Cluj, where he studied piano and guitar. Even though his main study direction was philological, his passion for music prevailed. He began his academical journey at the Faculty of Letters of the “Babeș-Bolyai” University, studying Comparative literature and English. He continued by studying Opera Singing at the “Gheorghe Dima” National Music Academy. He also graduated the Musical Education section, followed by Artistic Directing at the Musical Performing Arts department.

His multidisciplinary education opened the doors towards research, which is seen both through his participation in national and international conferences and symposia, such as the Salzburg Easter School PhD-forum, organized by the Salzburg Universität or the Silesian Meeting of Young Scholars, organized by the Institute of English at the University of Silesia, as well as the collaboration with Opera Charm Magazine.

During his student years, he won several prizes, including the Grand Prize at the “Paul Constantinescu” National Musical Interpretation Competition, the Romanian Composers and Musicologists’ Union Prize at the same competition, the First Prize and the Schubert Prize at the “Ada Ulubeanu” Competition.

He further developed his artistic skills by specializing in courses and masterclasses held by personalities such as Vittorio Terranova, Giuseppe Sabbatini, Marian Pop, Ines Salazar, Riccardo Zanellato, Paolo Bosisio, Valentina Farcaș and Manuel Lange in contexts such as the Internationale Sommerakademie für Operngesang Deutschlandsberg, Corso Internazionale di Canto Lirico I.M.C. Licata or the Europäische Akademie für Musik und darstellende Kunst Montepulciano. Besides his activity on-stage, he currently teaches Opera Singing Didactics, and Pedagogical Practice within the Department for Teacher Education and Training at the “Gheorghe Dima” National Music Academy.

Cristina Fieraru

Cristina is a 24 year-old Romanian soprano & a student at the National University of Music Bucharest, where she pursues the MA program in Vocal Performance.

She made her debut in Pamina from “Die Zauberflöte” by Wolfgang Amadeus Mozart at only 19 years old at the Bucharest National Opera House, as a member of the Ludovic Spiess Experimental Opera Studio. Over the years she made her debut in roles such as Contessa d’Almaviva (Le nozze di Figaro), Mimì & Musetta (La Bohème), Alice Ford (Falstaff), Erste Dame (Die Zauberflöte) in her university’s opera productions.
Her passion and experience extends in the field of choral music, too.

She has been part of our dream team since the fall of 2021. For a good period of time she took care of OPERA Charm’s social media and took you on the monthly journey through the history of opera through our Legends rubric – and a few times through the Theaters around the World rubric.

Her little soul rubric – from 2021 to present – is definitely the Conductors of the Future, where, every month, she gives you the chance to meet a young star of the world of conducting and, of course, to find out what’s the most charming feature of opera in these artists’ views.

BIANCA L. NICA

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