2025 EDITIONS:

OPERA CHARM

MAGAZINE

No.1/2025

SEE OUR NEW EDITION OF:

OPERA CHARM

MAGAZINE

No.9/2023

We are excited to present the 33rd edition of OPERA Charm Magazine, your monthly dose of charm from the world of opera. The renowned Violeta Urmana graces the cover of our magazine’s November 2023 edition, just as she did for our third issue, which was published in 2020.

2023 EDITIONS:

OPERA CHARM

MAGAZINE

No.8/2023

In front of the 5th issue of OPERA Charm Magazine in 2023, I want to share with you, first of all, a glorious summer, the chance to explore as many beautiful places where music is made exquisitely by the most sought-after artists of today’s panorama, but also the moment of respiro, to gather up our forces and start this beautiful journey in September again, once the theatres will open their seasons again!

INTERVIEWS

Carolina Lopez Moreno: The Soprano Who Brings Soul to Every Stage
Success means for me that I live my dream every day and come closer to my goal, without losing sight of why I became an artist.

Bolivian-Albanian soprano Carolina López Moreno, born and raised in Germany, has won international acclaim for her versatility and powerful stage presence. From Puccini to Verdi, she has performed leading roles at venues like Carnegie Hall, the Berliner Philharmonie, and the Puccini Festival Torre del Lago. In this interview with Alice Lechner, she shares insights into her multicultural roots, artistic journey, and the passion that drives her to bring opera to life.

Alice Lechner
Alexandra Yangel: Motherhood, Music, and the Freedom to Evolve
Women are perfectly capable of making their own choices, and what matters most is that they’re given the respect and space to do so.
Alice Lechner
Laugh, Sing, Repeat: Gurgen Baveyan on the Joys and Challenges of an Opera Career
This career is full of challenges, ups and downs, and a lot of uncertainty — but that’s also what makes it beautiful.
Alice Lechner
From Ulaanbaatar to the World Stage: Ariunbaatar Ganbaatar’s Operatic Odyssey
I believe it is my duty to help more people experience and feel this great art.
Alice Lechner
Liam James Karai
My hope is that audiences don’t just remember the singing, but also the emotional impact the character — and the story — had on them.
Alice Lechner
Anita Monserrat
There is something indescribable about what can be created in a single moment of live performance.
Alice Lechner
Katharina Morin
I strive to create an atmosphere in which the musicians feel valued and inspired to give their best.
Alice Lechner
Between Music and Emotion: Julia Burbach on the Art of Directing Opera
I believe the real distinction we should make is not between modern and traditional work, but between serious, detailed work and lazy work that lacks process and integrity.
Alice Lechner
Astrid Nordstad: A Mezzo’s Journey Through Heart and Stage
For me, singing different styles is more about my approach to the repertoire and being conscious of the genre than about changing my technique.
Alice Lechner
José Salazar
Having access to high artistic quality is important for society as a whole, and I want to help guarantee that as much as I can.
Alice Lechner
Tradition and Discovery: Jérôme Boutillier’s Operatic Path
Definitely, this is a job where you have the least chance of getting bored, if you remain aware and open-minded.
Alice Lechner

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THROUGH CULTURE

“IT’S NOT JUST ANOTHER MAGAZINE…
IT COULD BE ANYTHING OR EVERYTHING I’VE EVER DONE COMING TOGETHER.”

News feed

Eleonora Buratto & Michele Pertusi 2025 Premio Illica Winners
June 2025
Opera Charm Team
Rossini in Wildbad's new season
April 2025
Opera Charm Team
Buratto Headlines ‘Madama Butterfly’ in Baden-Baden & Berlin
April 2025
Opera Charm Team

La magia di un’opera lirica universale

Un’iniziativa dell’Associazione Maddalena
NOV 3│4│5 – Palazzo dei Congressi di Lugano

Articles

Patrice Chéreau: The Visionary Who Revolutionized the Opera Stage
In the history of modern theater and opera, few names provoke such awe (or such debate) as Patrice Chéreau. Born in France in 1944, and gone too soon in 2013, Chéreau was not merely a director; he was a force of transformation. He reinvented the way audiences experienced music, text and emotion, often with equal...
Alice Lechner
The War Memorial Opera House: San Francisco’s Monument to Music, Memory, and Modern Elegance
Few cities wear their contradictions as gracefully as San Francisco – a place where old-world sophistication meets restless innovation, and where the fog that drifts over the hills seems to carry whispers of both history and reinvention. At the heart of this dynamic city stands one of its most majestic landmarks: the War Memorial Opera...
Alice Lechner
Georg Solti: The Maestro Who Lit the World Stage
There are conductors, and then there are forces of nature. Sir Georg Solti was unmistakably the latter. A towering figure in 20th-century classical music, Solti brought an electrifying intensity to the podium, a meticulous ear to the score, and a burning passion for operatic truth. With a baton that seemed to channel lightning and a...
Alice Lechner
Patrice Chéreau: The Visionary Who Revolutionized the Opera Stage
Alice Lechner
The War Memorial Opera House: San Francisco’s Monument to Music, Memory, and Modern Elegance
Georg Solti: The Maestro Who Lit the World Stage

icharm

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Alice Lechner

Alice Lechner comes from a music-loving family. Her first encounter with the opera universe was at the tender age of six. The grandeur of the stage productions and costumes, the backstage chatter, and last, but definitely not least, the music left her in awe, beginning with Mozart’s Don Giovanni. The overall feeling that opera awakens in anyone who gets a glimpse into this part of artistic eternity, that each and every day passes the test of time, was what drew her to stay and be a part of this world. The Opera House of Brașov became her second home, and the people who worked there were her second family.

Since then, Alice has devoted her spare time to maximising her musical knowledge through instrumental studies, studying both piano and violin for a short time. In the following years, her number one passion stepped out of the limelight and graciously gave way to Law Studies.
Since 2018 she has been studying Law at “Alexandru Ioan Cuza” University in Iași.

Her passion for opera, even if it is no longer her top professional priority in terms of career, it has most definitely become her priority during her free time. Wanting to experience the best of both worlds and extend her musical horizons, she regularly attends opera performances throughout Romania and abroad.
With OPERA Charm Magazine, Alice aims to nurture her creative side to help it flourish and bloom and to discover, alongside the magazine’s readers, the fascinatingly complex world of opera.

Currently, she is an LL.M. in Business Law at “Alexandru Ioan Cuza” University in Iași.

Oana Zamfir

Oana Zamfir is a second year MA student at the “George Enescu” National University of Arts, at the Department of Musicology.

She studied violin for 12 years at the “Stefan Luchian” High School of Art in Botosani, later focusing on the theoretical aspects of music. In 2019 she completed her bachelor studies in Musicology as a student of the National Academy of Music “Gheorghe Dima” in Cluj-Napoca. Her research during 2018-2019 brought to the forefront elements of the archaic ritual within works of composers who activated during the communist period, giving her the opportunity to start a research internship at the “Carl von Ossietzky” University in Germany. In this context, she recorded conversations with members of the Sophie Drinker Institute in Bremen, and had access to documents directly from the Myriam Marbé archive.

Since 2019 she has been a teacher of Music Education and Theoretical Music Studies, making full use of interactive methods in the musical training of students and working, at the same time, with the children’s choir founded in the first year of her activity.

Her interests include pursuing a degree in interior design in 2020.

Alexandru Suciu

Alexandru Suciu inherited his passion for art growing up in a family of several generations of musicians. He began his musical studies at the “Augustin Bena” School of Music in Cluj, where he studied piano and guitar. Even though his main study direction was philological, his passion for music prevailed. He began his academical journey at the Faculty of Letters of the “Babeș-Bolyai” University, studying Comparative literature and English. He continued by studying Opera Singing at the “Gheorghe Dima” National Music Academy. He also graduated the Musical Education section, followed by Artistic Directing at the Musical Performing Arts department.

His multidisciplinary education opened the doors towards research, which is seen both through his participation in national and international conferences and symposia, such as the Salzburg Easter School PhD-forum, organized by the Salzburg Universität or the Silesian Meeting of Young Scholars, organized by the Institute of English at the University of Silesia, as well as the collaboration with Opera Charm Magazine.

During his student years, he won several prizes, including the Grand Prize at the “Paul Constantinescu” National Musical Interpretation Competition, the Romanian Composers and Musicologists’ Union Prize at the same competition, the First Prize and the Schubert Prize at the “Ada Ulubeanu” Competition.

He further developed his artistic skills by specializing in courses and masterclasses held by personalities such as Vittorio Terranova, Giuseppe Sabbatini, Marian Pop, Ines Salazar, Riccardo Zanellato, Paolo Bosisio, Valentina Farcaș and Manuel Lange in contexts such as the Internationale Sommerakademie für Operngesang Deutschlandsberg, Corso Internazionale di Canto Lirico I.M.C. Licata or the Europäische Akademie für Musik und darstellende Kunst Montepulciano. Besides his activity on-stage, he currently teaches Opera Singing Didactics, and Pedagogical Practice within the Department for Teacher Education and Training at the “Gheorghe Dima” National Music Academy.

Cristina Fieraru

Cristina is a 24 year-old Romanian soprano & a student at the National University of Music Bucharest, where she pursues the MA program in Vocal Performance.

She made her debut in Pamina from “Die Zauberflöte” by Wolfgang Amadeus Mozart at only 19 years old at the Bucharest National Opera House, as a member of the Ludovic Spiess Experimental Opera Studio. Over the years she made her debut in roles such as Contessa d’Almaviva (Le nozze di Figaro), Mimì & Musetta (La Bohème), Alice Ford (Falstaff), Erste Dame (Die Zauberflöte) in her university’s opera productions.
Her passion and experience extends in the field of choral music, too.

She has been part of our dream team since the fall of 2021. For a good period of time she took care of OPERA Charm’s social media and took you on the monthly journey through the history of opera through our Legends rubric – and a few times through the Theaters around the World rubric.

Her little soul rubric – from 2021 to present – is definitely the Conductors of the Future, where, every month, she gives you the chance to meet a young star of the world of conducting and, of course, to find out what’s the most charming feature of opera in these artists’ views.

BIANCA L. NICA

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