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INTRODUCTION
Mongolian baritone Ariunbaatar Ganbaatar has quickly risen from the steppes of Ulaanbaatar to the world’s greatest opera stages, including the Bolshoi, Carnegie Hall, and the Mariinsky Theatre. Winner of the 2015 Tchaikovsky Competition Grand Prix and Mongolia’s highest state honor, the Order of Genghis Khan, Ariunbaatar continues to captivate audiences with his powerful voice and emotional depth. In this interview with Alice Lechner, he talks about his artistic journey, the challenges of performing Verdi, and the passion that drives his extraordinary career.
BIOGRAPHY
Ariunbaatar Ganbaatar was born near Ulaanbaatar, Mongolia, in 1988. He graduated in 2010 from the Mongolian State University of Arts and Culture in Ulaanbaatar, where he studied under Ochirbat Ichinkhorloo. He later refined his artistry under the guidance of teacher and accompanist Darima Linkhovoin, with whom he performed extensively in Russia and abroad.
From 2014 to 2018, he was a soloist with the Buryat State Academic Opera and Ballet Theatre in Ulan-Ude. Since then, he has appeared on many of the world’s most prestigious stages, including the Bolshoi Theatre of Russia, the Small Hall of the Moscow Conservatory, the Ópera de Las Palmas de Gran Canaria (Spain), Carnegie Hall in New York, Cadogan Hall and Buckingham Palace in London, as well as at the Asia–Europe Meeting (ASEM) Summit in Brussels. His engagements have also taken him to the Opéra de Lyon, Teatro Regio di Parma, Teatro dell’Opera di Roma, and the Deutsche Oper Berlin.
Ariunbaatar’s remarkable talent has been recognized with numerous prestigious awards. In 2016, he received the Order of Genghis Khan, Mongolia’s highest state honor. He is also the recipient of St Petersburg’s Golden Sofit Award (2023) for his portrayal of Nabucco at the Mariinsky Theatre, and a Song Prize winner at the BBC Cardiff Singer of the World Competition (2017). In 2015, he achieved international acclaim by winning the Grand Prix, First Prize, and Gold Medal at the XV International Tchaikovsky Competition in Moscow and St Petersburg. His earlier honors include First Prize at the III Muslim Magomayev International Vocalists’ Contest (2014), the Mongolia’s Finest Singer Award (2012), and multiple prizes at the 24th International Glinka Competition of Vocalists (2011), where he was named “Best Baritone of the Competition” and received the Special Pavel Lisitsian Prize.
Looking ahead, highlights of the 2025/2026 season include performances as Otello at the Teatro Regio di Parma, and Un ballo in maschera at both the Maggio Musicale Fiorentino in Florence and in Paris.
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INTERVIEW
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Alice Lechner comes from a music-loving family. Her first encounter with the opera universe was at the tender age of six. The grandeur of the stage productions and costumes, the backstage chatter, and last, but definitely not least, the music left her in awe, beginning with Mozart’s Don Giovanni. The overall feeling that opera awakens in anyone who gets a glimpse into this part of artistic eternity, that each and every day passes the test of time, was what drew her to stay and be a part of this world. The Opera House of Brașov became her second home, and the people who worked there were her second family.
Since then, Alice has devoted her spare time to maximising her musical knowledge through instrumental studies, studying both piano and violin for a short time. In the following years, her number one passion stepped out of the limelight and graciously gave way to Law Studies.
Since 2018 she has been studying Law at “Alexandru Ioan Cuza” University in Iași.
Her passion for opera, even if it is no longer her top professional priority in terms of career, it has most definitely become her priority during her free time. Wanting to experience the best of both worlds and extend her musical horizons, she regularly attends opera performances throughout Romania and abroad.
With OPERA Charm Magazine, Alice aims to nurture her creative side to help it flourish and bloom and to discover, alongside the magazine’s readers, the fascinatingly complex world of opera.
Currently, she is an LL.M. in Business Law at “Alexandru Ioan Cuza” University in Iași.
Oana Zamfir is a second year MA student at the “George Enescu” National University of Arts, at the Department of Musicology.
She studied violin for 12 years at the “Stefan Luchian” High School of Art in Botosani, later focusing on the theoretical aspects of music. In 2019 she completed her bachelor studies in Musicology as a student of the National Academy of Music “Gheorghe Dima” in Cluj-Napoca. Her research during 2018-2019 brought to the forefront elements of the archaic ritual within works of composers who activated during the communist period, giving her the opportunity to start a research internship at the “Carl von Ossietzky” University in Germany. In this context, she recorded conversations with members of the Sophie Drinker Institute in Bremen, and had access to documents directly from the Myriam Marbé archive.
Since 2019 she has been a teacher of Music Education and Theoretical Music Studies, making full use of interactive methods in the musical training of students and working, at the same time, with the children’s choir founded in the first year of her activity.
Her interests include pursuing a degree in interior design in 2020.
Alexandru Suciu inherited his passion for art growing up in a family of several generations of musicians. He began his musical studies at the “Augustin Bena” School of Music in Cluj, where he studied piano and guitar. Even though his main study direction was philological, his passion for music prevailed. He began his academical journey at the Faculty of Letters of the “Babeș-Bolyai” University, studying Comparative literature and English. He continued by studying Opera Singing at the “Gheorghe Dima” National Music Academy. He also graduated the Musical Education section, followed by Artistic Directing at the Musical Performing Arts department.
His multidisciplinary education opened the doors towards research, which is seen both through his participation in national and international conferences and symposia, such as the Salzburg Easter School PhD-forum, organized by the Salzburg Universität or the Silesian Meeting of Young Scholars, organized by the Institute of English at the University of Silesia, as well as the collaboration with Opera Charm Magazine.
During his student years, he won several prizes, including the Grand Prize at the “Paul Constantinescu” National Musical Interpretation Competition, the Romanian Composers and Musicologists’ Union Prize at the same competition, the First Prize and the Schubert Prize at the “Ada Ulubeanu” Competition.
He further developed his artistic skills by specializing in courses and masterclasses held by personalities such as Vittorio Terranova, Giuseppe Sabbatini, Marian Pop, Ines Salazar, Riccardo Zanellato, Paolo Bosisio, Valentina Farcaș and Manuel Lange in contexts such as the Internationale Sommerakademie für Operngesang Deutschlandsberg, Corso Internazionale di Canto Lirico I.M.C. Licata or the Europäische Akademie für Musik und darstellende Kunst Montepulciano. Besides his activity on-stage, he currently teaches Opera Singing Didactics, and Pedagogical Practice within the Department for Teacher Education and Training at the “Gheorghe Dima” National Music Academy.
Cristina is a 24 year-old Romanian soprano & a student at the National University of Music Bucharest, where she pursues the MA program in Vocal Performance.
She made her debut in Pamina from “Die Zauberflöte” by Wolfgang Amadeus Mozart at only 19 years old at the Bucharest National Opera House, as a member of the Ludovic Spiess Experimental Opera Studio. Over the years she made her debut in roles such as Contessa d’Almaviva (Le nozze di Figaro), Mimì & Musetta (La Bohème), Alice Ford (Falstaff), Erste Dame (Die Zauberflöte) in her university’s opera productions.
Her passion and experience extends in the field of choral music, too.
She has been part of our dream team since the fall of 2021. For a good period of time she took care of OPERA Charm’s social media and took you on the monthly journey through the history of opera through our Legends rubric – and a few times through the Theaters around the World rubric.
Her little soul rubric – from 2021 to present – is definitely the Conductors of the Future, where, every month, she gives you the chance to meet a young star of the world of conducting and, of course, to find out what’s the most charming feature of opera in these artists’ views.
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