Lauranne Oliva

The voice is important; it's the tool you need to fine-tune regularly. But there's a whole panoply of elements you need to have at your disposal, too: acting, body language, stage presence, and being a good musician.
Alice Lechner


by Alice Lechner
October 10, 2023
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Winner of the Paris Opera Competition, Lauranne Oliva combines a flawless academic record, obtaining a double baccalaureate in science and Spanish literature and history, with her musical studies at the Conservatory in Perpignan. In a conversation with Alice Lechner, Lauranne talks about her experience at the Paris Opera Competition, how she prepared for a contest, and her time at the Opera Studio of Opera du Rhin. Moreover, she shares with us her thoughts about the opera industry and which is the key to a successful career.


At just 20 years of age, the Franco-Catalan soprano Lauranne Oliva made a strong impression at the 2020 edition of the famous 'Nuits Lyriques' competition in Marmande, winning Women First Prize in the Opera category, the First Prize for the Best Newcomer as well as the Second Prize in French Melody. In particular, her interpretation of the famous aria "Ah non credea mirarti" from Bellini's La Sonnanbula highlighted her unquestionable vocal beauty and virtuosity. As a hard-working student, she combines a flawless academic record, obtaining a double baccalaureate in science and Spanish literature and history, with her musical studies at the Conservatory in Perpignan. She begins with piano and musical training, then enters the classes of Sabine Riva and Christian Papis in singing. Lauranne quickly performs in concerts: the role of Susanna in Les Nozze di Figaro, Haydn's The Creation, Mozart's Missa solemnis or Schubert's Stabat Mater… It is her meeting with the tenor Emiliano Gonzalez Toro, founder and conductor of the ensemble I Gemelli, that enables her to add baroque operas to her repertoire. She made brilliant debuts with the roles of La Música and Euridice in Monteverdi's L'Orfeo (Opéra de Tours, Théâtre de Poissy) and La Fortuna and Juno in Il Ritorno d'Ulisse in patria by the same Monteverdi (Paris Théâtre des Champs-Élysées, Metz Arsenal, Victoria Hall in Geneva) in October 2021. In September 2021, she joined Opera Studio of Opera du Rhin, with whom she performed La Princesse and La Chauve-Souris in Ravel's L'Enfant et les Sortilèges. In the 2022-2023 season, Lauranne is taking off. At Opera du Rhin, she performed Eurydice in Gluck Petite Ballade aux Enfers and sang the role of Drusilla in Monteverdi's Coronation of Poppea (Raphaël Pichon/Evgeni Titov). She sang this same role, this time, under the conducting of Emiliano Gonzalez Toro and his I Gemelli, at Theatre des Champs Elysees in Paris, at Arsenal in Metz, and at Victoria Hall in Geneva. Lauranne Oliva will bloom in various scenic projects during the 2023-24 season. She will perform Micaela in Carmen at the Vichy Opera and at the Daejeon City Opera (South Korea). She will be Ellen in Lakmé at Nice Opera and Strasbourg Opéra du Rhin. Then she will debut as Pamina at Théâtre des Champs Elysées in a light version of Mozart’s Magic Flute and will join Teater an der Wien for the role of Tipi in Salieri’s Kublai Grand Kahn of Tartary (Christophe Rousset/Rafael Villalobos). Lauranne Oliva is part of the 2022 Generation Opera promotion.

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Dear Lauranne, thank you for accepting our invitation and congratulations on your triumph at the Paris Opera Competition. It’s always a pleasure to meet young and promising opera singers. How do you feel after this triumph? Were you expecting it? What thoughts and expectations did you have before the contest, and which proved revelatory? I […]

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God blessed me to be a lyric soprano, and my voice has a very rich and beautiful timbre. I can convey the intensity and vulnerability of my character with ease. That being said, I rather like tragedy roles.
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Alice Lechner

Alice Lechner

Alice Lechner comes from a music-loving family. Her first encounter with the opera universe was at the tender age of six. The grandeur of the stage productions and costumes, the backstage chatter, and last, but definitely not least, the music left her in awe, beginning with Mozart’s Don Giovanni. The overall feeling that opera awakens in anyone who gets a glimpse into this part of artistic eternity, that each and every day passes the test of time, was what drew her to stay and be a part of this world. The Opera House of Brașov became her second home, and the people who worked there were her second family.

Since then, Alice has devoted her spare time to maximising her musical knowledge through instrumental studies, studying both piano and violin for a short time. In the following years, her number one passion stepped out of the limelight and graciously gave way to Law Studies.
Since 2018 she has been studying Law at “Alexandru Ioan Cuza” University in Iași.

Her passion for opera, even if it is no longer her top professional priority in terms of career, it has most definitely become her priority during her free time. Wanting to experience the best of both worlds and extend her musical horizons, she regularly attends opera performances throughout Romania and abroad.
With OPERA Charm Magazine, Alice aims to nurture her creative side to help it flourish and bloom and to discover, alongside the magazine’s readers, the fascinatingly complex world of opera.

Currently, she is an LL.M. in Business Law at “Alexandru Ioan Cuza” University in Iași.

Oana Zamfir

Oana Zamfir is a second year MA student at the “George Enescu” National University of Arts, at the Department of Musicology.

She studied violin for 12 years at the “Stefan Luchian” High School of Art in Botosani, later focusing on the theoretical aspects of music. In 2019 she completed her bachelor studies in Musicology as a student of the National Academy of Music “Gheorghe Dima” in Cluj-Napoca. Her research during 2018-2019 brought to the forefront elements of the archaic ritual within works of composers who activated during the communist period, giving her the opportunity to start a research internship at the “Carl von Ossietzky” University in Germany. In this context, she recorded conversations with members of the Sophie Drinker Institute in Bremen, and had access to documents directly from the Myriam Marbé archive.

Since 2019 she has been a teacher of Music Education and Theoretical Music Studies, making full use of interactive methods in the musical training of students and working, at the same time, with the children’s choir founded in the first year of her activity.

Her interests include pursuing a degree in interior design in 2020.

Alexandru Suciu

Alexandru Suciu inherited his passion for art growing up in a family of several generations of musicians. He began his musical studies at the “Augustin Bena” School of Music in Cluj, where he studied piano and guitar. Even though his main study direction was philological, his passion for music prevailed. He began his academical journey at the Faculty of Letters of the “Babeș-Bolyai” University, studying Comparative literature and English. He continued by studying Opera Singing at the “Gheorghe Dima” National Music Academy. He also graduated the Musical Education section, followed by Artistic Directing at the Musical Performing Arts department.

His multidisciplinary education opened the doors towards research, which is seen both through his participation in national and international conferences and symposia, such as the Salzburg Easter School PhD-forum, organized by the Salzburg Universität or the Silesian Meeting of Young Scholars, organized by the Institute of English at the University of Silesia, as well as the collaboration with Opera Charm Magazine.

During his student years, he won several prizes, including the Grand Prize at the “Paul Constantinescu” National Musical Interpretation Competition, the Romanian Composers and Musicologists’ Union Prize at the same competition, the First Prize and the Schubert Prize at the “Ada Ulubeanu” Competition.

He further developed his artistic skills by specializing in courses and masterclasses held by personalities such as Vittorio Terranova, Giuseppe Sabbatini, Marian Pop, Ines Salazar, Riccardo Zanellato, Paolo Bosisio, Valentina Farcaș and Manuel Lange in contexts such as the Internationale Sommerakademie für Operngesang Deutschlandsberg, Corso Internazionale di Canto Lirico I.M.C. Licata or the Europäische Akademie für Musik und darstellende Kunst Montepulciano. Besides his activity on-stage, he currently teaches Opera Singing Didactics, and Pedagogical Practice within the Department for Teacher Education and Training at the “Gheorghe Dima” National Music Academy.

Cristina Fieraru

Cristina is a 24 year-old Romanian soprano & a student at the National University of Music Bucharest, where she pursues the MA program in Vocal Performance.

She made her debut in Pamina from “Die Zauberflöte” by Wolfgang Amadeus Mozart at only 19 years old at the Bucharest National Opera House, as a member of the Ludovic Spiess Experimental Opera Studio. Over the years she made her debut in roles such as Contessa d’Almaviva (Le nozze di Figaro), Mimì & Musetta (La Bohème), Alice Ford (Falstaff), Erste Dame (Die Zauberflöte) in her university’s opera productions.
Her passion and experience extends in the field of choral music, too.

She has been part of our dream team since the fall of 2021. For a good period of time she took care of OPERA Charm’s social media and took you on the monthly journey through the history of opera through our Legends rubric – and a few times through the Theaters around the World rubric.

Her little soul rubric – from 2021 to present – is definitely the Conductors of the Future, where, every month, she gives you the chance to meet a young star of the world of conducting and, of course, to find out what’s the most charming feature of opera in these artists’ views.


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