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INTRODUCTION
This conversation is about Michele Spotti, one of the most sought-after conductors of nowadays, on stage and behind the curtains. It is about the challenges he often deals with and also about how he manages to see the light in every situation. Michele talks about his work now with Il viaggio a Reims at the Deutsche Oper Berlin, about his career breakthrough moment, hobbies, and future plans. Cristina Fieraru initiated such an interesting conversation & we invite you to keep reading and find out as much as you can about Michele’s life!
BIOGRAPHY
Michele Spotti is Musical Director of Marseille’s Opera House and Philharmonic Orchestra. His most recent engagements include debuts at the Wiener Staatsoper where he conducted La fille du régiment directed by Laurent Pelly, at the Palau de les Arts in Valencia with Ernani, at the Staatsoper Stuttgart with the new production of Elisir d’amore signed by Anika Rutkofsky, in Dresden with La bohème, in Tokyo with the Tokyo City Philharmonic Orchestra and Juan Diego Flórez; the new productions of Don Carlos and Rigoletto at Theater Basel directed by Vincent Huguet, Guillaume Tell which opened the Marseille Opera Season 2021/2022, and La fille du régiment at the Festival Donizetti Opera 2021. He also conducted La Cenerentola at the Bayerische Staatsoper in Monaco, in the historic production by Jean-Pierre Ponnelle; Offenbach’s La belle Hélène by Barrie Kosky at the Komische Oper in Berlin; the final concert of ROF 2021 with the Rai National Symphony Orchestra and Juan Diego Flórez; La Traviata in Palermo with Pretty Yende in the title role; L’elisir d’amore at the Teatro Petruzzelli in Bari. He has led several new productions, including Offenbach’s Barbe-bleue staged by Laurent Pelly at the Opéra de Lyon (in July 2021 Opus Arte released the DVD, that obtained the Diapason D’or); Cimarosa’s Il Matrimonio Segretowith Pier Luigi Pizzi’s staging, Beatrice di Tenda at the Festival della Valle d’Itria, and, again in Martina Franca, Richard Strauss’ Le Bourgeois Gentilhomme that opened the 2020 edition of the Festival; ll signor Bruschino and Il Viaggio a Reims at the Rossini Opera Festival; Adina and the world premiere of La Cucina by Andrew Synnott at the Wexford Opera Festival, both directed by Rosetta Cucchi; Don Pasquale in Montpellier; and Così Fan Tutte at Hannover’s Staatsoper. Musical Director of the Orchestra Filarmonica di Benevento, Michele Spotti also enjoys a busy concert schedule. He has led, among others, the Tokyo City Philharmonic Orchestra, Orchestra of the Accademia Teatro alla Scala, which marked his debut at the Teatro alla Scala in 2021, Orchestra Sinfonica Nazionale della RAI, National Polish Radio Symphony Orchestra, Orchestre National d’Ile-de-France, Filarmonica Arturo Toscanini, Orchestra del Teatro Massimo di Palermo and Orchestra del Teatro Regio di Torino. Among his next engagements: the opening of the 49th Valle d’Itria Festival with Il Turco in Italia, which he will also conduct at the Lausanne Opera; Le nozze di Figaro in Marseille; debuts at the Paris Opera with Turandot, at the Deutsche Oper in Berlin with Il viaggio a Reims, at the Rome Opera with Die Zauberflute and at the San Carlo in Naples with Simon Boccanegra; as well as numerous symphony concerts in Europe and Asia. After graduating as a violin player he went on to graduate as a conductor under Daniele Agiman at the “Giuseppe Verdi” conservatory in Milan. He then continued his studies at the Haute École de Musique in Geneva, at the Gstaad Menuhin Festival Academy under Neeme Järvi and Gennady Rozhdestvensky, and in Italy under Gianandrea Noseda, Gianluigi Gelmetti, and Daniele Gatti. Spotti made his debut conducting Le Nozze di Figaro at the Teatro Mancinelli in Orvieto and in 2016 Alberto Zedda chose him as his assistant for the production of Rossini’s Ermione at the Opéra de Lyon.
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INTERVIEW
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Alice Lechner comes from a music-loving family. Her first encounter with the opera universe was at the tender age of six. The grandeur of the stage productions and costumes, the backstage chatter, and last, but definitely not least, the music left her in awe, beginning with Mozart’s Don Giovanni. The overall feeling that opera awakens in anyone who gets a glimpse into this part of artistic eternity, that each and every day passes the test of time, was what drew her to stay and be a part of this world. The Opera House of Brașov became her second home, and the people who worked there were her second family.
Since then, Alice has devoted her spare time to maximising her musical knowledge through instrumental studies, studying both piano and violin for a short time. In the following years, her number one passion stepped out of the limelight and graciously gave way to Law Studies.
Since 2018 she has been studying Law at “Alexandru Ioan Cuza” University in Iași.
Her passion for opera, even if it is no longer her top professional priority in terms of career, it has most definitely become her priority during her free time. Wanting to experience the best of both worlds and extend her musical horizons, she regularly attends opera performances throughout Romania and abroad.
With OPERA Charm Magazine, Alice aims to nurture her creative side to help it flourish and bloom and to discover, alongside the magazine’s readers, the fascinatingly complex world of opera.
Currently, she is an LL.M. in Business Law at “Alexandru Ioan Cuza” University in Iași.
Oana Zamfir is a second year MA student at the “George Enescu” National University of Arts, at the Department of Musicology.
She studied violin for 12 years at the “Stefan Luchian” High School of Art in Botosani, later focusing on the theoretical aspects of music. In 2019 she completed her bachelor studies in Musicology as a student of the National Academy of Music “Gheorghe Dima” in Cluj-Napoca. Her research during 2018-2019 brought to the forefront elements of the archaic ritual within works of composers who activated during the communist period, giving her the opportunity to start a research internship at the “Carl von Ossietzky” University in Germany. In this context, she recorded conversations with members of the Sophie Drinker Institute in Bremen, and had access to documents directly from the Myriam Marbé archive.
Since 2019 she has been a teacher of Music Education and Theoretical Music Studies, making full use of interactive methods in the musical training of students and working, at the same time, with the children’s choir founded in the first year of her activity.
Her interests include pursuing a degree in interior design in 2020.
Alexandru Suciu inherited his passion for art growing up in a family of several generations of musicians. He began his musical studies at the “Augustin Bena” School of Music in Cluj, where he studied piano and guitar. Even though his main study direction was philological, his passion for music prevailed. He began his academical journey at the Faculty of Letters of the “Babeș-Bolyai” University, studying Comparative literature and English. He continued by studying Opera Singing at the “Gheorghe Dima” National Music Academy. He also graduated the Musical Education section, followed by Artistic Directing at the Musical Performing Arts department.
His multidisciplinary education opened the doors towards research, which is seen both through his participation in national and international conferences and symposia, such as the Salzburg Easter School PhD-forum, organized by the Salzburg Universität or the Silesian Meeting of Young Scholars, organized by the Institute of English at the University of Silesia, as well as the collaboration with Opera Charm Magazine.
During his student years, he won several prizes, including the Grand Prize at the “Paul Constantinescu” National Musical Interpretation Competition, the Romanian Composers and Musicologists’ Union Prize at the same competition, the First Prize and the Schubert Prize at the “Ada Ulubeanu” Competition.
He further developed his artistic skills by specializing in courses and masterclasses held by personalities such as Vittorio Terranova, Giuseppe Sabbatini, Marian Pop, Ines Salazar, Riccardo Zanellato, Paolo Bosisio, Valentina Farcaș and Manuel Lange in contexts such as the Internationale Sommerakademie für Operngesang Deutschlandsberg, Corso Internazionale di Canto Lirico I.M.C. Licata or the Europäische Akademie für Musik und darstellende Kunst Montepulciano. Besides his activity on-stage, he currently teaches Opera Singing Didactics, and Pedagogical Practice within the Department for Teacher Education and Training at the “Gheorghe Dima” National Music Academy.
Cristina is a 24 year-old Romanian soprano & a student at the National University of Music Bucharest, where she pursues the MA program in Vocal Performance.
She made her debut in Pamina from “Die Zauberflöte” by Wolfgang Amadeus Mozart at only 19 years old at the Bucharest National Opera House, as a member of the Ludovic Spiess Experimental Opera Studio. Over the years she made her debut in roles such as Contessa d’Almaviva (Le nozze di Figaro), Mimì & Musetta (La Bohème), Alice Ford (Falstaff), Erste Dame (Die Zauberflöte) in her university’s opera productions.
Her passion and experience extends in the field of choral music, too.
She has been part of our dream team since the fall of 2021. For a good period of time she took care of OPERA Charm’s social media and took you on the monthly journey through the history of opera through our Legends rubric – and a few times through the Theaters around the World rubric.
Her little soul rubric – from 2021 to present – is definitely the Conductors of the Future, where, every month, she gives you the chance to meet a young star of the world of conducting and, of course, to find out what’s the most charming feature of opera in these artists’ views.
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