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INTRODUCTION
At the beginning of her career, Violeta Urmana made a name for herself worldwide as a highly acclaimed Kundry in Parsifal and as Eboli. She also sang Azucena, Amneris, Didon, Santuzza, Fides, Leonor de Guzman, Judith, Laura, Adriano Colonna, Fricka and others at all major opera houses worldwide. Violeta Urmana debuted at the Staatsoper Hamburg with Il Trovatore by Giuseppe Verdi, Das Rhinegold, and Valkiria by Richard Wagner in 1997. Her collaboration with the theatre continued in 2010 with Cavalleria Rusticana by Ruggero Leoncavallo and a Gala Concerto as a soprano with Johan Botha In a conversation with Bianca L. Nica, Ms. Urmana talks about Salome at Staatsoper Hamburg and her collaboration with Mr. Tcherniakov and M Nagaro, her transition from dramatic soprano repertoire to mezzosproano repertoire, her relationship with social media and the secret behind keeping the balance between the private and professional life.
BIOGRAPHY
Born in Lithuania, Violeta Urmana is one of the most highly sought-after singers of dramatic German and Italian repertoire. At the very beginning of her career, Violeta Urmana made a name for herself worldwide as a highly acclaimed Kundry in Parsifal and as Eboli. She also sang Azucena, Amneris, Didon, Santuzza, Fides, Leonor de Guzman, Judith, Laura, Adriano Colonna, Fricka, and others at all major opera houses in the world. In the years 2001-2002, she made the transition to dramatic soprano and sang parts such as Amelia in Un Ballo in Maschera, Elisabetta in Don Carlo, Leonora in La Forza del Destino, the Lady in Macbeth, Odabella in Attila, the title roles in Aida, La Gioconda, Medea, Tosca, Norma, Iphigénie en Tauride and Ariadne auf Naxos, Brünnhilde in Siegfried, Sieglinde in Die Walküre und Isolde. Now Violeta Urmana continues to sing Italian and German dramatic mezzo-soprano repertoire, which is constantly expanding. Ms. Urmana is a regular guest at the world’s major opera houses - the Metropolitan Opera New York, the Teatro Real in Madrid, the Gran Teatre del Liceu in Barcelona, the Opéra National de Paris, Deutsche Oper Berlin, the Vienna State Opera, Teatro alla Scala in Milan, the Royal Opera House Covent Garden in London - and at the festivals of Bayreuth, Salzburg, Aix-en-Provence, Edinburgh and the BBC Proms. She has worked with such conductors as Claudio Abbado, Daniel Barenboim, Bertrand de Billy, Pierre Boulez, Semyon Bychkov, Riccardo Chailly, James Conlon, James Levine, Jesús López Cobos, Fabio Luisi, Zubin Mehta, Riccardo Muti, Sir Simon Rattle, Donald Runnicles, Esa-Pekka Salonen, Franz Welser-Möst and Christian Thielemann. As a highly acclaimed concert and recital singer Violeta Urmana performs music by Gustav Mahler, Richard Strauss, Arnold Schoenberg, Hector Berlioz, Richard Wagner, and Giuseppe Verdi in the most famous concert halls of Europe, the United States of America, and Japan. Many CD and DVD recordings document her career: La Gioconda, Il Trovatore, Oberto, Un Ballo in Maschera, Aida, La Forza del Destino, Macbeth, Don Carlo, Andrea Chenier, Parsifal, Cavalleria Rusticana, Verdi’s Requiem, Mahler’s Das Lied von der Erde, and Rückert-Lieder, Zemlinsky’s Maeterlinck-Lieder, Berlioz’ La mort de Cléopâtre, Bartok’s Duke Bluebeard’s Castle, Stravinsky’s Rossignol, songs by Richard Strauss, Alban Berg, Franz Liszt, and her CD Puccini Ritrovato a.o. She is Kundry in Tony Palmer’s film The Search for the Holy Grail. Violeta Urmana has received many awards: in London the Royal Philharmonic Society Award for singers, in Vienna the title Österreichische Kammersängerin. In Lithuania she was awarded the title “Commander’s Grand Cross of the Order of Merit to Lithuania” and “Third class, Grand Duke Gediminas of Lithuania” and in Italy with the title “Commendatore dell’Ordine della Stella d’Italia”. The Academy for Music and Theatre in Vilnius has awarded her an honorary degree. Violeta Urmana is an Artist for Peace of UNESCO.
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INTERVIEW
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Alice Lechner comes from a music-loving family. Her first encounter with the opera universe was at the tender age of six. The grandeur of the stage productions and costumes, the backstage chatter, and last, but definitely not least, the music left her in awe, beginning with Mozart’s Don Giovanni. The overall feeling that opera awakens in anyone who gets a glimpse into this part of artistic eternity, that each and every day passes the test of time, was what drew her to stay and be a part of this world. The Opera House of Brașov became her second home, and the people who worked there were her second family.
Since then, Alice has devoted her spare time to maximising her musical knowledge through instrumental studies, studying both piano and violin for a short time. In the following years, her number one passion stepped out of the limelight and graciously gave way to Law Studies.
Since 2018 she has been studying Law at “Alexandru Ioan Cuza” University in Iași.
Her passion for opera, even if it is no longer her top professional priority in terms of career, it has most definitely become her priority during her free time. Wanting to experience the best of both worlds and extend her musical horizons, she regularly attends opera performances throughout Romania and abroad.
With OPERA Charm Magazine, Alice aims to nurture her creative side to help it flourish and bloom and to discover, alongside the magazine’s readers, the fascinatingly complex world of opera.
Currently, she is an LL.M. in Business Law at “Alexandru Ioan Cuza” University in Iași.
Oana Zamfir is a second year MA student at the “George Enescu” National University of Arts, at the Department of Musicology.
She studied violin for 12 years at the “Stefan Luchian” High School of Art in Botosani, later focusing on the theoretical aspects of music. In 2019 she completed her bachelor studies in Musicology as a student of the National Academy of Music “Gheorghe Dima” in Cluj-Napoca. Her research during 2018-2019 brought to the forefront elements of the archaic ritual within works of composers who activated during the communist period, giving her the opportunity to start a research internship at the “Carl von Ossietzky” University in Germany. In this context, she recorded conversations with members of the Sophie Drinker Institute in Bremen, and had access to documents directly from the Myriam Marbé archive.
Since 2019 she has been a teacher of Music Education and Theoretical Music Studies, making full use of interactive methods in the musical training of students and working, at the same time, with the children’s choir founded in the first year of her activity.
Her interests include pursuing a degree in interior design in 2020.
Alexandru Suciu inherited his passion for art growing up in a family of several generations of musicians. He began his musical studies at the “Augustin Bena” School of Music in Cluj, where he studied piano and guitar. Even though his main study direction was philological, his passion for music prevailed. He began his academical journey at the Faculty of Letters of the “Babeș-Bolyai” University, studying Comparative literature and English. He continued by studying Opera Singing at the “Gheorghe Dima” National Music Academy. He also graduated the Musical Education section, followed by Artistic Directing at the Musical Performing Arts department.
His multidisciplinary education opened the doors towards research, which is seen both through his participation in national and international conferences and symposia, such as the Salzburg Easter School PhD-forum, organized by the Salzburg Universität or the Silesian Meeting of Young Scholars, organized by the Institute of English at the University of Silesia, as well as the collaboration with Opera Charm Magazine.
During his student years, he won several prizes, including the Grand Prize at the “Paul Constantinescu” National Musical Interpretation Competition, the Romanian Composers and Musicologists’ Union Prize at the same competition, the First Prize and the Schubert Prize at the “Ada Ulubeanu” Competition.
He further developed his artistic skills by specializing in courses and masterclasses held by personalities such as Vittorio Terranova, Giuseppe Sabbatini, Marian Pop, Ines Salazar, Riccardo Zanellato, Paolo Bosisio, Valentina Farcaș and Manuel Lange in contexts such as the Internationale Sommerakademie für Operngesang Deutschlandsberg, Corso Internazionale di Canto Lirico I.M.C. Licata or the Europäische Akademie für Musik und darstellende Kunst Montepulciano. Besides his activity on-stage, he currently teaches Opera Singing Didactics, and Pedagogical Practice within the Department for Teacher Education and Training at the “Gheorghe Dima” National Music Academy.
Cristina is a 24 year-old Romanian soprano & a student at the National University of Music Bucharest, where she pursues the MA program in Vocal Performance.
She made her debut in Pamina from “Die Zauberflöte” by Wolfgang Amadeus Mozart at only 19 years old at the Bucharest National Opera House, as a member of the Ludovic Spiess Experimental Opera Studio. Over the years she made her debut in roles such as Contessa d’Almaviva (Le nozze di Figaro), Mimì & Musetta (La Bohème), Alice Ford (Falstaff), Erste Dame (Die Zauberflöte) in her university’s opera productions.
Her passion and experience extends in the field of choral music, too.
She has been part of our dream team since the fall of 2021. For a good period of time she took care of OPERA Charm’s social media and took you on the monthly journey through the history of opera through our Legends rubric – and a few times through the Theaters around the World rubric.
Her little soul rubric – from 2021 to present – is definitely the Conductors of the Future, where, every month, she gives you the chance to meet a young star of the world of conducting and, of course, to find out what’s the most charming feature of opera in these artists’ views.
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