Nicholas Koo is a Korean-American conductor currently serving multiple orchestras across the United States including the Minnesota Orchestra, the Colorado Symphony Orchestra, and the San Diego Symphony. He has assisted a number of notable conductors including Donald Runnicles, Fabien Gabel, and Marin Alsop and has worked alongside soloists such as Emanuel Ax, Hélène Grimaud, Paul Huang, Joyce Yang, and Orion Weiss. He has made appearances conducting the Colorado Symphony Orchestra in their regular season and is active in the Chicago area, having guest conducted the Illinois Valley Symphony Orchestra and the Southloop Symphony of Chicago. Off the podium, Nicholas works in collaboration with the Chicago Symphony Orchestra Association in artistic media, using his experience as a conductor to coordinate score calls for a number of recording projects.
Nicholas was selected from an international pool of over 300 conductors to be an active conductor in the Riccardo Muti Italian Opera Academy in Ravenna, Italy where in a series of rehearsals and masterclasses he worked alongside Maestro Muti to study, rehearse, and perform Verdi’s monumental Messa da Requiem. In the summer of 2022 he was invited to join the artist roster of Festival Mozaic as its first assistant conductor where he produced and led a family concert performance and ballet of Carnival of the Animals by Camille Saint-Saëns in collaboration with the San Luis Obispo Movement Arts Collective. Under the mentorship of conductor Scott Yoo, Koo has been a frequent conductor at the Colorado College Summer Music Festival, most recently as the 2021 recipient of the Perotti-Holmes endowed fellowship. In partnership with PBS television, Mr. Koo was featured leading the CCSMF Orchestra in the critically-acclaimed series Now Hear This, conducting film scores by Aaron Copland alongside the original cinematography. A strong advocate for contemporary music, Nicholas also served as music director for the Atlantic Music Festival Contemporary Ensemble and as assistant conductor of the Atlantic Music Festival Symphony Orchestra where he premiered more than 20 new works for chamber and full orchestra.
A recipient of Bienen’s Eckstein Scholarship, Nicholas received his master’s degree in conducting from the Northwestern University Bienen School of Music in 2018 and where he also received his doctorate of musical arts as the final student of Victor Yampolsky in 2022. His dissertation work culminated in a US premiere of a new arrangement of Gustav Mahler’s Das Lied von der Erde. He served as assistant conductor with the Northwestern University Symphony Orchestra throughout his time at Bienen and accompanied the orchestra on its first international tour to China in the spring of 2018, highlighting the music of Gustav Mahler and Leonard Bernstein. In partnership with the Northwestern University Opera Company, Nicholas led a production of Johann Strauss II’s operetta, Die Fledermaus, as well as the world premiere of a contemporary opera with the university’s composer collective. In addition he served as assistant to the Northwestern Contemporary Music Ensemble under Alarm Will Sound music director, Alan Pierson prior to and throughout the pandemic and where he also helped engineer new, innovative and aleatoric methods of music-making through cloud-based synchronized technology.
Originally from the Bay Area, California, Nicholas attended the University of California Berkeley for undergraduate degrees in both molecular cell biology and music and it is where he began his conducting studies with the director of orchestras, David Milnes while simultaneously studying choral conducting with San Francisco Symphony Chorus Director Emeritus, Vance George. A two-time recipient of the Alfred Hertz Memorial Traveling Scholarship, Nicholas has participated in various masterclasses, working with eminent musical figures such as Esa-Pekka Salonen and Gustavo Dudamel. Among many others, his list of mentors include Donald Runnicles, John Storgårds, Peter Oundjian, Fabien Gabel, Scott Yoo, and Rune Bergmann.