Interview Categories: Exclusive Interviews

Giorgio Misseri

First of all, thank you for having accepted our invitation to do this interview! You are known as a representative of the belcanto repertoire, especially Rossini and Donizetti. Was your ability of approaching the heights of the lyrical tenor a rather “innate” ability or did you work your way into it, finding your path towards […]

John Fiore

Dear M° Fiore, thank you for having accepted our invitation! I was thrilled to see you on the podium of the Deutsche Oper Berlin last month, conducting Turandot, but also jumping in to replace the Musical Director of the theatre, M° Donald Runnicles, for Puccini’s Il Trittico, only a few days before the premiere. Congratulations once […]

Violeta Urmana

Dear Ms. Urmana, thank you for having accepted our invitation. It’s such a pleasure to have this conversation with you. This month, you perform Herodias in Richard Strauss’s Salome at Staatsoper Hamburg in a production signed by Dmitri Tcherniakov. This is your stage debut, as you made your debut last year in Madrid in a […]

Diana Skavronskaya

Dear Diana, it’s a pleasure to have this conversation with you. To introduce you to our readers, let’s start from the beginning… Everyone has a story about the first impression we had on opera. What’s your story? Who guided your first steps on this path? Hello, and thank you so much for having me here! That’s […]

Ildebrando D’Arcangelo

Dear Ildebrando, it’s a pleasure to have you interviewed! Thank you for having accepted our invitation. My questions find you right after your Attila at Opéra de Marseille alongside Juan Jesús Rodriguez (Ezio), Csilla Boross (Odabella), Antonio Poli (Foresto), and under the direction of M° Paolo Arrivabeni, am I right? What can you tell us about your Attila? […]

Cristina Pasaroiu

Dear Cristina, it’s a great pleasure to have you here and to welcome you into our big, charming musical family! Thank you for accepting our invitation! It is such a joy to see you embracing your true self and encouraging others to do so, to be more humble, grateful and positive. Have you always been […]

Miloš Bulajic

Dear Miloš, it’s a pleasure to have this conversation with you. How was your summer? What are your expectations for this new season that has just started? Where can we see you? Dear Alice, the pleasure is completely mine. Thank you for having me. My summer was wonderful. I finally had a lot of time at […]

Thomas Trachsel & Carlo Balmelli

Dear all, we are excited to have you interviewed and learn more about Maddalena, a contemporary opera based on a subject by Carlo Silini that will be staged on November 3rd, 4th, and 5th, 2023, at the Palazzo dei Congressi in Lugano. What is the story of this project, and what is its aim? C.B. & […]

Cecilia Molinari

Dear Cecilia, thank you very much for having accepted our invitation! It’s a pleasure to chat with you just as the new season has begun. What will be the highlights of this season? Thank you very much for this opportunity to tell you a little bit about myself. Rossini marks the beginning of this new […]

Salvatore Frega

Dear Mr. Frega, it is nice meeting you. First of all, how do you find composing in today’s music industry climate? What challenges does a composer face, especially at the beginning of their career? My pleasure. The composition industry has changed a lot today compared to 20 years ago. I talk about evolution and an […]

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Alice Lechner

Alice Lechner comes from a music-loving family. Her first encounter with the opera universe was at the tender age of six. The grandeur of the stage productions and costumes, the backstage chatter, and last, but definitely not least, the music left her in awe, beginning with Mozart’s Don Giovanni. The overall feeling that opera awakens in anyone who gets a glimpse into this part of artistic eternity, that each and every day passes the test of time, was what drew her to stay and be a part of this world. The Opera House of Brașov became her second home, and the people who worked there were her second family.

Since then, Alice has devoted her spare time to maximising her musical knowledge through instrumental studies, studying both piano and violin for a short time. In the following years, her number one passion stepped out of the limelight and graciously gave way to Law Studies.
Since 2018 she has been studying Law at “Alexandru Ioan Cuza” University in Iași.

Her passion for opera, even if it is no longer her top professional priority in terms of career, it has most definitely become her priority during her free time. Wanting to experience the best of both worlds and extend her musical horizons, she regularly attends opera performances throughout Romania and abroad.
With OPERA Charm Magazine, Alice aims to nurture her creative side to help it flourish and bloom and to discover, alongside the magazine’s readers, the fascinatingly complex world of opera.

Currently, she is an LL.M. in Business Law at “Alexandru Ioan Cuza” University in Iași.

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Oana Zamfir

Oana Zamfir is a second year MA student at the “George Enescu” National University of Arts, at the Department of Musicology.

She studied violin for 12 years at the “Stefan Luchian” High School of Art in Botosani, later focusing on the theoretical aspects of music. In 2019 she completed her bachelor studies in Musicology as a student of the National Academy of Music “Gheorghe Dima” in Cluj-Napoca. Her research during 2018-2019 brought to the forefront elements of the archaic ritual within works of composers who activated during the communist period, giving her the opportunity to start a research internship at the “Carl von Ossietzky” University in Germany. In this context, she recorded conversations with members of the Sophie Drinker Institute in Bremen, and had access to documents directly from the Myriam Marbé archive.

Since 2019 she has been a teacher of Music Education and Theoretical Music Studies, making full use of interactive methods in the musical training of students and working, at the same time, with the children’s choir founded in the first year of her activity.

Her interests include pursuing a degree in interior design in 2020.

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Alexandru Suciu

Alexandru Suciu inherited his passion for art growing up in a family of several generations of musicians. He began his musical studies at the “Augustin Bena” School of Music in Cluj, where he studied piano and guitar. Even though his main study direction was philological, his passion for music prevailed. He began his academical journey at the Faculty of Letters of the “Babeș-Bolyai” University, studying Comparative literature and English. He continued by studying Opera Singing at the “Gheorghe Dima” National Music Academy. He also graduated the Musical Education section, followed by Artistic Directing at the Musical Performing Arts department.

His multidisciplinary education opened the doors towards research, which is seen both through his participation in national and international conferences and symposia, such as the Salzburg Easter School PhD-forum, organized by the Salzburg Universität or the Silesian Meeting of Young Scholars, organized by the Institute of English at the University of Silesia, as well as the collaboration with Opera Charm Magazine.

During his student years, he won several prizes, including the Grand Prize at the “Paul Constantinescu” National Musical Interpretation Competition, the Romanian Composers and Musicologists’ Union Prize at the same competition, the First Prize and the Schubert Prize at the “Ada Ulubeanu” Competition.

He further developed his artistic skills by specializing in courses and masterclasses held by personalities such as Vittorio Terranova, Giuseppe Sabbatini, Marian Pop, Ines Salazar, Riccardo Zanellato, Paolo Bosisio, Valentina Farcaș and Manuel Lange in contexts such as the Internationale Sommerakademie für Operngesang Deutschlandsberg, Corso Internazionale di Canto Lirico I.M.C. Licata or the Europäische Akademie für Musik und darstellende Kunst Montepulciano. Besides his activity on-stage, he currently teaches Opera Singing Didactics, and Pedagogical Practice within the Department for Teacher Education and Training at the “Gheorghe Dima” National Music Academy.

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Cristina Fieraru

Cristina is a 24 year-old Romanian soprano & a student at the National University of Music Bucharest, where she pursues the MA program in Vocal Performance.

She made her debut in Pamina from “Die Zauberflöte” by Wolfgang Amadeus Mozart at only 19 years old at the Bucharest National Opera House, as a member of the Ludovic Spiess Experimental Opera Studio. Over the years she made her debut in roles such as Contessa d’Almaviva (Le nozze di Figaro), Mimì & Musetta (La Bohème), Alice Ford (Falstaff), Erste Dame (Die Zauberflöte) in her university’s opera productions.
Her passion and experience extends in the field of choral music, too.

She has been part of our dream team since the fall of 2021. For a good period of time she took care of OPERA Charm’s social media and took you on the monthly journey through the history of opera through our Legends rubric – and a few times through the Theaters around the World rubric.

Her little soul rubric – from 2021 to present – is definitely the Conductors of the Future, where, every month, she gives you the chance to meet a young star of the world of conducting and, of course, to find out what’s the most charming feature of opera in these artists’ views.

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BIANCA L. NICA

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